The worst case is when it seems like the company has given you complete software freedom for the trial period, but when you export the video file, there’s a watermark splashed across the center of the image. Or you can import and work on a 4K timeline but you can only deliver in 1080p - and to use these features, you must buy the product. Usually, it’s something like you can edit a fifteen-minute clip, but you can only export five minutes. When you hear that something is free, especially software, you know there’s a catch. Instead, over the course of several articles, I want to focus on how DaVinci Resolve and Premiere Pro affect the user. All that appears in every comparison article, and honestly, Zebra Zone spectacularly covers all of that information in the following video. In approaching this showdown, I didn’t want to focus on the standard comparisons between the two nonlinear editors - such as how the edit tools perform, the responsiveness of the editing, media support, and so on. Come 2019, however, and Resolve is undoubtedly ready to step into the ring with Premiere - and it may even walk away a winner. If you read that headline four years ago, it would’ve been easy to assume that I have no idea what I’m talking about - or that this was a paid promotion. In this showdown, we look at how these two powerhouse programs affect the user, specifically in regards to how much each program costs.
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